- Afrobeats powerhouse Ahmed Ololade, globally renowned as Asake, has taken his newly released fourth studio album, M$NEY, to the global style elite, delivering a stunning live performance at Christian Louboutin’s menswear presentation during Paris Fashion Week.
- The high-profile Paris appearance followed a historic, invite-only concert at London’s iconic Theatre Royal Drury Lane, where the 31-year-old superstar performed alongside a live orchestra and renowned band The Compozers for his top listeners.
- Building on the massive international success of the project, which topped charts in 19 countries and peaked at number 8 in the United States, Asake’s management has officially announced an upcoming concert film and a companion live album, M$NEY: The Live Album.
The boundary between contemporary African music and global high fashion continues to dissolve as Nigerian Afrobeats sensation Asake transforms his latest studio masterpiece into a far-reaching international spectacle.
Fresh off an acclaimed, orchestrally backed showcase in the United Kingdom, Eko Hot Blog reports that the award-winning singer-songwriter extended his European tour this week by taking center stage at Paris Fashion Week.
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Performing for an elite crowd of designers, models, and international celebrities at Christian Louboutin’s highly anticipated Spring/Summer 2027 menswear presentation, the artist firmly cemented his position as one of Africa’s most influential cultural exports.
The upscale Paris presentation served as a rapid follow-up to an intimate, one-night-only musical event held on Sunday, June 21, at London’s historic Theatre Royal Drury Lane.
Executed in a strategic partnership with global streaming giant Spotify, the invite-only concert brought together a select audience consisting of the singer’s top 1% streaming listeners, close associates, and family members.
Rather than relying on traditional club playbacks, Asake re-engineered the sonic delivery of his new tracks by performing alongside a full live orchestra and the widely acclaimed instrumental band The Compozers.
The singer captivated the audience with live renditions of hit tracks from the new project while treating those in attendance to the debut of four entirely unreleased songs.
According to an official corporate statement released by his management team, the electric atmosphere of the London venue was fully captured by multi-camera documentation teams.
The footage is currently undergoing final post-production and is scheduled for an exclusive global release as a concert film on Spotify.
Capitalizing on the immense momentum of the live orchestrations, the singer also confirmed the upcoming rollout of M$NEY: The Live Album, a dedicated live recording designed to preserve the unique acoustic depth and vocal improvisations displayed during the Theatre Royal Drury Lane performance.

Originally released in May 2026, M$NEY has enjoyed an exceptionally dominant run on the international music charts, functioning as a bold, sonic meditation on human prosperity, spiritual grounding, personal ambition, and profound gratitude.
Immediately upon its digital debut, the body of work secured the number 1 position on streaming charts across more than 19 countries, including Nigeria, while successfully peaking at number 8 on the competitive United States albums chart.
This prolonged commercial performance pushed Asake to the number 15 spot on Kworb’s global digital artist rankings, positioning him side-by-side with mainstream western pop icons.
The global entertainment community continues to validate the singer’s steady creative trajectory, which previously earned him back-to-back Grammy Award nominations for Best African Music Performance at both the 66th and 67th iterations of the event for his contributions to “Amapiano” alongside Olamide and “MMS” featuring Wizkid.
With his upcoming In God We Trust international tour dates already drawing record-breaking ticket pre-sales, Asake’s seamless transitions from intimate studio booths to historic European theater stages and luxury Parisian runways illustrate the unstoppable globalization of modern Afrobeats rhythms.





